Walter Darby Bannard

Alexander #2, Walter Darby Bannard, 1959

Again, as with Olitski, this is not quite what I have in mind. Bannard’s use of colour is very interesting, in particular the low colour contrast between minimal components. He has also used a grid as an organizing structure in his works. This use of muted tones contributes to what has been called the “unreality” of his forms. This is interesting in the context of painting as an exploration of a space of possibilities. This also connects with an interpretation of his work as improvised but constrained by conceptualism. In the case of the Zombie Formalist the system improvises as a random generator, but where conceptual(?) constraints actually come from the system’s attempt to model the preferences of the audience.