Jules Olitski

Pink-Grey II, Jules Olitski, 1970

I’m part way trough “The New American Abstraction 1950–1970” to get started on my post-painterly abstraction research for the Zombie Formalist but realized I’ve been looking at the third in a three part volume! So I need to go back to the other volumes that mention artists I’ve been considering as inspirations such as Mark Rothko, Elleworth Kelly and Gene Davis.

While Oliki’s aesthetic is not quite what I am after, I found a few ideas quite interesting; I’m interested in the emphasis on colour as structure, and the tention between homogeneous and hetereogeneous composition at varying scales. Paintings made with the airbrush (like the above) remind me of some of the structures that emerge from my segment collages as part of Watching and Dreaming.