Gene Davis was one of my initial inspirations for the Zombie Formalist. I did not find a lot of conceptual overlap compared with some of the other colour field painters. There is an interesting separation between ‘structure’ and colour that I had not considered; part of Davis’ motivation was to emphasize colour over ‘structure’, but what does ‘structure’ mean? This position is in the context of considering colour field painting as an ‘alternative’ to Abstract Expressionism. I initially though structure meant line, but Abstraction Expressionism does not depend on line either. Is the rejected structure the brush / drip structure in Abstract Expressionism? I was thinking about how art gets pushed forward by rejecting the dominant approach in relation to my own work. Could I be embarking on this hard-edge and restrained aesthetic as a rejection of the exploding popularity of GAN and CNN approaches to image making?
Last night a subset of the LOoW folks got together at Emily Carr for a presentation on emergence from an artistic perspective and have some informal discussions at a pub.
I just wanted to reflect a little here and focus on things that really stood out from the discussion. The physicists in the room brought up the idea of emergence (as the emergence of surprising behaviour due to the interactions of numerous believed-to-be understood components) in condensed matter physics. In the discussion some tensions between particle physics and condensed matter physics became visible. I’ll need to return to condensed matter physics later on (as I had not heard that term), and a quick look at the wikipedia page seems to indicate we’re talking about modelling complexity at the transition between states (solid to liquid, etc.). Through the discussion I kept thinking about disciplines and these various senses of “emergence” (e.g. coming from the dark into the light), and I realized that my initial and implicit sense of emergence comes from the influence of fractals, ALife, autopoiesis, self-organization through my artistic career. I realized that my sense of emergence is really about complexity science as a meta-discipline.
Here is an image of my workspace showing a visual explorations on the new ~27″ square display. This is the display that the Zombie Formalist will be built around. Its a nice IPS panel with very good colour and the scale and resolution (1920×1920) is indeed impressive. I could get used to making work for this display… The more I think about it, the more I see the ZF hardware platform as a basis for many different bodies of work.
Amount Awarded: $9,975
I added some code to randomly offset the whole set of stripes so that compositions can be unevenly weighted from the centre to the edges, or from the left to the right. This increases the variety of compositions significantly. The following images are all generated by the same program with 30 stripes with random offsets that are rendered as circles or vertical stripes. The next step will be to increase the range of possible blur amounts. I’ve also included a few full resolution images:
I finished some code that renders stripes as concentrically as inspired by Kenneth Noland. I’ve included a selection with 2 and 30 stripes, respectively. I’m quite happy with these results, but I noticed some aliasing issues with hard-edged stripes and a couple artifacts. Since these are explorations and not written for the target hardware I won’t worry about it yet. I’ve included a couple full resolution images for the new square screen at the bottom of this post.
On September 28th I was present for the first meeting of the third phase of the Leaning Out of Windows project. I’m really excited about this project as I had previously been inspired by physics in my artistic work (“Engineered“) and have been looking to get back into that body of knowledge. I applied for a few COLLIDE residency awards at CERN over the last couple of years and made video submissions available here and here.
As part of this meeting we did a tour of TRIUMF and I’ll include additional photos from the tour below. The meeting (and tour) were overwhelming to say the least and I still need some time to integrate and reflect. This blog post is devoted my initial musings and some very preliminary project ideas.