COVID19 Art Review. Lori Waxman, 60 wrd/min art critic.

La matérialité révélatrice de l’apprentissage automatique. Sofian Audry, Espace, No. 124.

Artificial Intelligence (AI) and artistic creation: Fantasising about the loss of control. Nathalie Bachand, Goethe-Institut Montreal. Winter, 2018.

L’intelligence artificielle et les Québécois, Isabelle Burgun, L’Agence Science-Presse. July 10th, 2018.

Art(ificial Intelligence). Madhvi Ramani for The Wilson Quarterly. Spring, 2018.

Artificial Imagination – Opening ‘the Black Box’ of Inscrutable AI Through Dialogue. Greg Smith, Creative Applications Network. May 1st, 2018.

On Fuzzy Boundaries and Dreams of a Post-Capitalist Future With Local Artist, Ben Bogart. Thalia Stopa, Scout Magazine. April 23rd, 2018.

Work in progress on collages from “Watching (Blade Runner)” components featured on Akimbo Connects.

Interview for Issue #56 Intelligently Weak with Alessandro Ludovico.

At these Montreal festivals, it’s the robots’ art world — we’re just living in it. Victor Swoboda, CBC Arts. May 31st, 2016.

Work in progress on “Watching (Blade Runner)” featured on Akimbo Connects.

Work in progress on “As our gaze peers off into the distance, imagination takes over reality…” featured on Akimbo Connects.

This documentary film about FLOSS and art includes an interview with me.

“Este documental aborda el uso del software libre en el arte actual (2008). Para obtener un panorama condensado se hicieron entrevistas y levantamiento de imagen de los festivales Make Art en Poitiers, Francia, y Piksel en Bergen, Noruega. Estos festivales se realizan cada año y se caracterizan por reunir a artistas de todo el mundo que utilizan software libre como plataforma creativa. Aqui se muestran las ediciones del 2008 de estos festivales.

Producido en el 2008 y 2009 por el Taller de Audio del Centro Multimedia del Centro Nacional de las Artes, México, gracias al apoyo del PADID.”

Interview for Vague Terrain with Marco Donnarumma, September 7th, 2011.

Interview regarding the “Dreaming Machine #2” installation for Elektra 2010 with Ange-Aimee Woods: Excerpt from the May 5th, 2010 broadcast. Please note that the Dreaming Machines do not use evolutionary algorithms; this was meant as an example of machine creativity and misunderstood by Ange-Aimee.

“Dreaming Machine #2” Installation for Elektra: Elektrafying. Artsweek, April 29th to May 5th, 2010