Ben Bogart is a Vancouver-based interdisciplinary artist working with generative computational processes (including physical modelling, chaos, feedback systems, evolutionary computation, computer vision and machine learning) and has been inspired by knowledge in the natural sciences (quantum physics and cognitive neuroscience) in the service of an epistemological enquiry. Ben has produced processes, artifacts, texts, images and performances that have been presented at academic conferences and art festivals in Canada, the United States of America, the United Arab Emirates, Australia, Turkey, Finland, Germany, Ireland, Brazil, Hong Kong, Norway and Spain. He has been an artist in residence at the Banff Centre (Canada), the New Forms Festival (Canada) and at Videotage (Hong Kong). His research and practise have been funded by the Social Science and Research Council of Canada and the Canada Council for the Arts.
Ben holds both master’s and doctorate degrees from the School of Interactive Arts and Technology at Simon Fraser University. During his master’s study he developed a site-specific artwork that uses images captured live in the context of installation as raw material in its ‘creative’ process. In is doctoral work he made “a machine that dreams” that is framed as both a model of dreaming and a site-specific artistic work manifesting an Integrative Theory of visual mentation developed during his doctorate. Ben is currently using this model in the appropriation and reconstruction of popular cinematic depictions of artificial intelligence.