Kenneth Noland

Posted: September 10, 2018 at 7:28 pm

Gift, Kenneth Noland, 1961-62

Summer Plain, Kenneth Noland, 1967

Another Time, Kenneth Noland, 1973

I don’t really have anything to write about Kenneth Noland on a conceptual level; the variety of his work is very interesting in the context of the ZF. I chose three bodies of work to show different possible directions of structural exploration. The ‘target’, in particular, is interesting since technically, it’s stripes using a polar coordinate system. This means it should not be very difficult to explore some of these structures.


Ellsworth Kelly

Posted: September 7, 2018 at 6:42 pm

Colors for Large Wall, Ellsworth Kelly, 1951

It is probably my bias towards these particular painters, but I continue to be surprised to the degree I find an affinity with their processes and artistic intentions, especially considering the gap in time and media.

Kelly shares with me an interest in an artistic practise that is “impersonal” with an emphasis on “anonymity” (ambiguity in my interpretation) and a rejection of “expression”. Kelly often finds formal inspiration in the world around him, that is then abstracted in his painting process. This seems quite interesting in the context of my machines using cameras to capture their environments in order to generate novel forms, images and structures that are not predictable nor perfect representations of the world. There is also the inquiry into objects, perception and the relation between form and ground that connect deeply with my works framed as “Subjective Machines”. Kelly and I also share and interesting emphasis on fragmentation, especially in the context of his early work with collage reconstruction and the use of chance operations. Kelly’s interest in autonomy where a work “adjusts itself” and his use of chance are highly relevant to the ZF. As is also his interest in anonymity and the impersonal.


Dense Stripes

Posted: September 6, 2018 at 3:04 pm

After my last post on Karl Benjamin, I modified my stripe code to increase density and the following images show a selection of the results. Compositions are selected for variety and not necessarily aesthetic success. The code in the first case draws 25 stripes, but since the width of stripes could be as wide as the whole picture plane, many stripes are occluded.

The following images show an increase of density with 100 and 1000 stripes respectively. In these explorations I also sort the stripes by width so that the thinnest stripes will be on top to increase the visual density; there can still be occlusion thus not all the stripes will be visible. I pushed these explorations to the limit in order to get a sense of what maximal density could look like. It will be interesting to see how the sine-wave approach works out where there will be just as much density of stripes, but also more constraint in terms of colour variation. (more…)


L’Agence Science-Presse: Technologie (July 10th, 2018)

L’intelligence artificielle et les Québécois, Isabelle Burgun, L’Agence Science-Presse. July 10th, 2018.