More frames from entire film
Posted: August 23, 2016 at 10:27 am
Following is a selection of frames from the second third of the film. I’ve also finished rendering the final third, but I have not taken a close look at the results yet. Once I revisit the sound, I will have completed the “Watching” part of the project.
First look at results of processing all frames from Blade Runner
Posted: August 16, 2016 at 8:26 am
I have been slowly making progress on the project, but had my attention split due to the public art commission for the City of Vancouver. I managed to run k-means on the 30million segments of the entire film and generated 200,000 percepts (which took 10 days due to the slow USB2 external HDD I’m working from). The following images show a selection of frames from the first third of the film. I’m currently working on the second third. They show a quite nice balance between stability and noise with my fixes for bugs in the code written at the Banff Centre (which contained inappropriate scaling factors size features).
Title and Project Description
Posted: August 15, 2016 at 9:17 am
As our gaze peers off into the distance, imagination takes over reality…
The relation between the world as we see it and the world as we understand it to be is all wrapped up in abstraction, the act of emphasizing some details in order to dispense with others. My artistic interest in abstraction and computation is an interest in the world as it is versus the world as we read into and conceptualize it. As our gaze peers off into the distance, imagination takes over reality… is site-specific public artwork that uses a photographic image of the surrounding site as raw material. The bottom of the image shows this imperfect photographic illusion, a proxy of objective reality, that becomes increasingly abstracted towards the top. The abstraction is a proxy for the constructive powers of imagination and is the result of a machine learning process that rearranges colour values according to their similarity. The imaginary structure presented in this image is both an emergent composition and an exposition of the implicit structure of reality. The image is a representation of place (as a physical location at the site of installation) and non-place (as an ambiguous and emerging structure under constant renewal). The viewer’s experience of the tension between ambiguity and reality mirrors the mind’s constant attempt to bridge experience and truth.